Love is felt from within and Arun's ailment will not stop these two lovebirds from acknowledging their love for each other. It stands out for the way it is executed- part poetry and part song. It is as if nature is recognising Kavita's feelings and emotions.Īnother great song is Sawan ki raaton mein (Lata Mangeshkar and Talat Mehmood). Lata Mangeshkar's mellifluous voice breathes life into Sadhana's charming visage. She knows that they are not for her, but for Tara, but this dreamy-eyed young woman is thoroughly sinking into a world of romance. She is seeing a different world altogether, courtesy the sweet letters from Arun. She is ready to forget why they grew apart, what separated them and is regaling in her new found love for Arun. Here she is head over heels in love with Arun and is in no mood to mull over past happenings. Sadhana looks absolutely breathtaking in Ab aur na kucch bhi yaad rahaan. The next song comes rather late in the film. But Kavita is already in love with this man who she had so misunderstood. Now, Tara and her father will have nithing to do with him. The letter game continues till one day news arrives that Arun has met with a freak accident and has lost his eyesight. This information prevents Kavita from acknowledging in the letter that she is actually not Tara. He even informs 'Tara' about the girl who almost ruined his future and explains that he only has hatred for her. Involuntarily, Kavita pours out her feelings and emotions in these letters and Arun grows to love the Tara that he recognises through these letters. Since she is too busy with her new friends, Kavita is given the job of writing and responding to Arun's letters for Tara. Tara, as it happens, is Kavita's cousin, who comes to the city to get groomed in city manners.
His marriage is fixed to a village belle called Tara (Seema Deo) because her father is paying for his foreign education. A lot of things happen before Arun can finally set foot in foreign shores. Ratna is swept with remorse and owns up her folly before Kavita. And understandably everyone is overjoyed. He is selected by his principal for a foreign scholarship. So, the old man has taken care of his education. Ratna's father has been Arun's guardian and benefactor for long, since he was a poor man. Ratna (Parvin Choudhury) is infatuated with Arun Kumar (Shashi Kapoor), who stays with her and her father. He is forced to decide that a pretty girl needn't be the owner of a beautiful heart. A silly misjudgement on the part of an adolescent almosts costs a young man his career. But then these differences only take the story forward. It is a sweet love story that has its base on misunderstandings. Prem Patra is a film very different from Roy's repertoire. But lo! This small film engages with its charming cast, lovely songs, easy narrative and an execution that is way, way better. So, when I accidentally discovered that Bimal Roy's underrated classic Prem Patra is but a Hindi remake of Sagarika, I sat down to watch it with trepidation, expecting the usual tedious drama. But, Agragami's Sagarika is so killingly boring that any tepid film of that age would be a better option any day.
I'd never thought I would point fingers at a Uttam Kumar - Suchitra Sen classic. International projects.Here is a film that beats its original hands down. Her prominent Marathi films are Savat Maazhi Laadki (state ward best actress) Aai, Uttaryan, Shevri (for which she won the National Award and PIFF award as producer) Sari var Sari ( State award best supporting), Bioscope (filmfare best supporting) Her latest television show Yeh hai Mohabatten running its 4th year. Mahatma versus Gandhi, Wedding Album English plays. Mahasagar, Akasmat, Dhyani Mani,Vatvat Savitri, Dehabhaan, Prem Patra, Hamidabai chi Kothi Chapa Kaata are some more of her successful award-winning( Natya Darpan, State Awards, Natya Parishad recognition) Marathi plays. She continues to assist Bai in her workshops. Dr Vijaya Mehta chose her to play Shabbo in Anil Barve's Hamidabai chi Kothi in 1978, and thus began her long journey with Bai into the remarkable world of Marathi theatre with Mahasagar and Savitri. Mohan Rakesh's Adhe Adhure, Shankar Shesh's Mayavi Sarovar, Willie Russell's Educating Rita are a few of her prominent plays. She met Pt Satyadev Dubey, her first guru, and went on to be a part of several Hindi productions under his direction.
#Prem patra marathi drama professional
Began her acting journey in the 1970s on Marathi professional stage and Hindi experimental stage, along with fashion shows and modelling simultaneously.
Neena Kulkarni, actress, model, column writer, producer, director.
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